“Voodoo Passion”
I had just finished watching the Mila Jovovich/ Steve Zahn thriller The Perfect Getaway prior to throwing in this Franco cult item, unwittingly subjecting myself to a double-feature of exotically-located mayhem. The Perfect Getaway was surprisingly not too shabby. And, neither was Voodoo Passion; though other than being set on a beach in the heat of the summer, the two films were obviously as artistically far apart from each other as one could get. While I felt slightly disappointed at the “artistically” obscured nudity of The Perfect Getaway, Franco’s own artistic romp down exploitation alley more than made up for that.
Voodoo Passion kicks off with a four-minute naked voodoo ritual dance on an open beach (supposedly in Haiti) under the morning sun and over a scorching jazz score. In fact, throughout the whole film I think this is one of the best Franco scores laid down. After the enjoyable jazz/voodoo dance intro, we see a couple of white girls (or ladies), one of them dressed deliciously in super-high cut-off short-shorts. Being a Franco film one is comfortable with the assumption that the short-shorts would sooner or later give way to bare flesh. Sure as shizzles, that happened almost immediately. Girl 1 arrives at house where girl 2 lies naked in bed. Girl 1 is waiting for her boyfriend, but before he arrives, Girl 1 and girl 2 have already taken a bath together. After Boyfriend arrives, girl 1 and boyfriend fuck while girl 2 watches and masturbates with a champagne bottle. There’s a lot of fucking going on. Which is why I was slightly confused as to why girl 1 would need to be led through the jungle by girl 3 (also naked) into a daylight naked voodoo ritual that apparently was intended to make girl 1 even hornier than she already was. Everything, after we see girl 1 arriving at the house on the edge of the jungle/beach at the beginning of the movie, happens completely in the buff. (That is, save for one brief dinner scene that occurs about forty-two minutes in) I’ve honestly never, ever witnessed a legit feature film play out almost entirely in the nude by every man and woman in the cast. Save for the high heel shoes that girl 1 wears in nearly every scene, even while she’s sleeping in her bed under the covers as well as when she’s later sleepwalking naked through the jungle. Girl 3, who meets her in the jungle prior to the voodoo ritual, is also naked but for wearing high heels. Guess that’s the way they roll in the Haitian jungles.
If you haven’t gathered yet, if you like naked people, you will dig this movie. This Franco flick actually had the feeling of some of those Italian “Mondo” documentary-style films of the sixties, and mixed with the killer jazz score, somehow this unfortunately made me think this could be some fantasy voodoo-exploitation opening sequence to The Cosby Show in a crazy alternate universe.
72 minutes into Voodoo Passion’s 80-minute running time, Franco throws us a curveball through the plot concerning some kind of British Special Ops double-cross… but seriously, if you’ve made it this far already, it isn’t for the wanting of a deeper plot point.
While I definitely can’t bring myself to score this feature on its merits as a legitimate foreign film release, I can say that the exploitative elements (i.e. the whole thing) made it one of the most compulsively watchable Franco flick I’ve reviewed. I wonder, also, is it coincidence that this appeared to be the highest-quality DVD transfer in the whole set of films from this collection? Hmm…
I had just finished watching the Mila Jovovich/ Steve Zahn thriller The Perfect Getaway prior to throwing in this Franco cult item, unwittingly subjecting myself to a double-feature of exotically-located mayhem. The Perfect Getaway was surprisingly not too shabby. And, neither was Voodoo Passion; though other than being set on a beach in the heat of the summer, the two films were obviously as artistically far apart from each other as one could get. While I felt slightly disappointed at the “artistically” obscured nudity of The Perfect Getaway, Franco’s own artistic romp down exploitation alley more than made up for that.
Voodoo Passion kicks off with a four-minute naked voodoo ritual dance on an open beach (supposedly in Haiti) under the morning sun and over a scorching jazz score. In fact, throughout the whole film I think this is one of the best Franco scores laid down. After the enjoyable jazz/voodoo dance intro, we see a couple of white girls (or ladies), one of them dressed deliciously in super-high cut-off short-shorts. Being a Franco film one is comfortable with the assumption that the short-shorts would sooner or later give way to bare flesh. Sure as shizzles, that happened almost immediately. Girl 1 arrives at house where girl 2 lies naked in bed. Girl 1 is waiting for her boyfriend, but before he arrives, Girl 1 and girl 2 have already taken a bath together. After Boyfriend arrives, girl 1 and boyfriend fuck while girl 2 watches and masturbates with a champagne bottle. There’s a lot of fucking going on. Which is why I was slightly confused as to why girl 1 would need to be led through the jungle by girl 3 (also naked) into a daylight naked voodoo ritual that apparently was intended to make girl 1 even hornier than she already was. Everything, after we see girl 1 arriving at the house on the edge of the jungle/beach at the beginning of the movie, happens completely in the buff. (That is, save for one brief dinner scene that occurs about forty-two minutes in) I’ve honestly never, ever witnessed a legit feature film play out almost entirely in the nude by every man and woman in the cast. Save for the high heel shoes that girl 1 wears in nearly every scene, even while she’s sleeping in her bed under the covers as well as when she’s later sleepwalking naked through the jungle. Girl 3, who meets her in the jungle prior to the voodoo ritual, is also naked but for wearing high heels. Guess that’s the way they roll in the Haitian jungles.
If you haven’t gathered yet, if you like naked people, you will dig this movie. This Franco flick actually had the feeling of some of those Italian “Mondo” documentary-style films of the sixties, and mixed with the killer jazz score, somehow this unfortunately made me think this could be some fantasy voodoo-exploitation opening sequence to The Cosby Show in a crazy alternate universe.
72 minutes into Voodoo Passion’s 80-minute running time, Franco throws us a curveball through the plot concerning some kind of British Special Ops double-cross… but seriously, if you’ve made it this far already, it isn’t for the wanting of a deeper plot point.
While I definitely can’t bring myself to score this feature on its merits as a legitimate foreign film release, I can say that the exploitative elements (i.e. the whole thing) made it one of the most compulsively watchable Franco flick I’ve reviewed. I wonder, also, is it coincidence that this appeared to be the highest-quality DVD transfer in the whole set of films from this collection? Hmm…
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