Wednesday, April 03, 2013

R.I.P. Jess Franco.

What sad news today (Or yesterday, now, as I'm writing this). I wish I could have crossed paths with you at some point, but I will celebrate your films, in my own way, for the rest of my life. There have been a few bloggers writing some very great things about the Spanish auteur, and I don't really feel like adding more at this time, nor do I think it's necessary for one more blogger who never actually got the chance to meet the mad genius to throw in his two cents -- but I feel that these two certain reflections (linked below) closely sum up my own feelings about this creative man and his body of work, and are the best written pieces I've seen all night.

RIP, Jess Franco, you will be dearly missed. And thank you for all the films.

Friday, March 15, 2013

The end of two blogs… indefinitely.

I have been thinking about how to approach this post for the last week and a half. In truth, the indefinite stop to my two literary/film blogs seems inevitable. And unfortunately, I've decided not to finish off the “52 weeks of Films” blog-roll I'd started last year on Creepy Six Tales. Getting further and further behind, these posts are now weeks behind as time continues to get away from me these days. This blog-roll should have been wrapped by next month, instead I still have 10 films in the queue and three 300-word posts written – but not posted.
Between Creepy Six Tales, The Jess Franco Blogspot, the Creepy Six Films official site (and its blog), the new Brivido Giallo site, and the Shivers Film Society blog, there is just not enough time to keep up with the ever-changing content as well as the continuous need for new content on both of the aforementioned literary blogs (Creepy Six Tales and The Jess Franco Blogspot, to be clear). Nevermind the fact that I now have a Tumblr account that quite literally has digital tumbleweeds lazily rolling through it as it sits abandoned somewhere in cyberspace, and a Twitter account that is run by a wonderfully automated online system called Twitterfeed. Facebook? I don't even have the interest to go down that side-street of a time vacuum. The decision to stop blogging (indefinitely) is not a light one by any means, the Jess Franco Blogspot in particular has been very good to me. But those posts too have been growing farther apart, and let's be honest here, the idea for the 52 Weeks of Films I've Never Seen was really just a one-year filler for me while I thought of something really good to write - like the 52-part Tales of The Plumber I'd managed to do in 2011. Okay, maybe that wasn't great literature, either, but damn, I had a blast doing that one, and really took to the challenge of writing a connective series of short stories (or chapters) every week for one year. I'd love to have the time to do something else like that in the future. The 52 Weeks of Films... suffered due to a lack of real inspiration, and the fact that I've now (finally) realized that writing and blogging are two vastly different art forms that require quite different variants of, shall we put it, a talent for concentration. I no longer have the luxury of a full-time job where I can steel an hour of The Company's Time to duck out at a computer console rapping away at a new and insightful post every month, let alone once a week. When I do set aside my ever-increasingly precious time for writing, my mind automatically triggers the need to channel that inspiration into the work I'm truly excited about, which is, at the time of this writing, working on the next two screenplays for Creepy Six Films and the new Brivido Giallo production companies.
Running three independent films companies is a daunting enough task, in this day and age I find that I need to do that with a full-time gig on top of it, and at the same time I'm becoming more and more interested in quality time with my friends, family, the new Jess Franco blu-rays that have been sitting in my closet, unopened, for the last two months, and even the odd Stephen King book. While I don't have a mass following on Creepy Six Tales or The Jess Franco Blogspot, and while I doubt one more internet film blogger will really be missed (indefinitely), I hope that this re-focusing of my concentration and efforts will reflect positively for Creepy Six Films, Brivido Giallo, and the Shivers Films Society, which I do intend to keep running – indefinitely – and with the great gusts of enthusiasm as I've always had for those companies that are really close to my heart and mind. So goodbye, blogs, (for now), and I thank all of the readers and supporters that have been with me so far - I'll see you cinephiles and wonderful supporters of indie films at the cinema! The few that are left, anyway. But that's a whole other blog waiting to happen...

Very truly,
Vince.

Tuesday, January 22, 2013

Strange a-doin's over at VTSS this month!

http://www.videotapeswapshop.co.uk/

A whole mess of Euro cult and Eurotrash flick in review - featuring the best of the best, the worst of the best, and the best of the worst from Jess Franco and Jean Rollin. You could certainly do worse than to waste half a day perusing these guys' site.

Friday, October 12, 2012

Finally... HD

Just as corporate scientist are working hard to bring us SUPER-HD, Jess Franco gets some long-awaited notice on blu-ray... although the people at Twitch don't seen very impressed... "Redemption Films deal with Kino has produced a great number of gems ripe for rediscovery, films that would never have made it to HD without the clout of a venerable company like Kino behind them. The question now becomes, is it really worth it?" I'd say of course it's worth it, for the simple fact that this prolific director already has a cult following. Is Twitch saying that becuase Franco's work is way outside of the mainstream that his fans don't deserve - or that, it really doesn't matter if they do - to see his work in the best presentation possible (that is to say, as close to a cinema experience as we're likely to get with Franco save for seeing a retrospective at a Parisian cinematheque every half-decade or so)? I'm just stoking the proverbial fire because, no, that's not what Twitch was saying, obviously, but I'd dare point out this lack of thought put forth in the brief blurb preceding the actual review of the Female Vampire blu-ray -- due out in just a few days. You can read about it here. And actually, it's a really good review, and I have to say I do agree with pretty much everything else post-blurb. Also, European retailer/distributor 1Kult has some hi-res Franco goodies this month, too... One thing Twitch did mention within the blurb in question that is obviously close to being right... the apocalypse does seem to be upon us now.

Check it out!
-V

Sunday, July 15, 2012

Brides of the Impalers


When I got back from Europe earlier this year the first thing I did was pick out Edward Lee's novel Brides of the Impaler, which y wife had given to me as a birthday present some time ago. I've always been a fan of the frenzied writing of Lee's and his uber-sexualized Lovecraftian fantasy-horror. But this time, I was in for something slightly different. Opening to the Acknowledgments page, I was a little surprised to see these names mentioned as the main inspirational source for this novel: Jess Franco, Amando de Ossorio, Paul Naschy, and Jean Rollin, “...whose macabre and brilliant films have enthralled me for years and whose manipulation of imagery and atmosphere have proven a polarizing influence.” Not only were these filmmakers thanked, they were the first ones to be thanked in the long list of appreciative credit. The book itself in a contemporary, unique and highly energized twist on the Dracula legends that sees The Nun appear in modern-day New York City, recruiting ex-drug addicts/street girls into a supernatural order. Filled with sacrificial implements, and general blood-splattering (and again, heavily sexualized) mayhem this plot half plays out as a police thriller (probably another nod to the Italian Poliziotteschi flicks of the seventies) on top of the religious splatter-horror. It's an awesome ride from author Lee, as usual, who penned one of my all-time favorite novels (if you can find an old copy grab it!) titled “The Coven”, from the early nineties, I believe.

While Lee may have been inspired by this handful of creative genre-warping film directors, his novel nevertheless is pure Lee, not really reminiscent of Franco or his cinematic cohorts. No, for that I had to go back and revisit the likes of Return of the Blind Dead (Ossorio) and Vampiros Lesbos. Not that summer's back with us in full force I find my thoughts swimming back to Soledad Miranda, Ewa Stromberg, Vampiros Lesbos, and She Killed in Ecstasy. Although this cinematic style is not exactly present in Lee's book, I can easily see how one is inspired by all of this. There is something beautiful about the cheap film stock and bright location shots of these stories, not to mention the talent and charm in front of and behind the cameras, which inevitably tends to bleed through.

And on yet another sad note, I'm writing this on the day (one of my only mornings off all week) that Sage Stallone was discovered to have passed away suddenly, a man who unfortunately might me more known to people as the son of Sylvester Stallone, but who actually co-founded the film company Grindhouse Releasing and was responsible for bringing cinephiles films like Fulci's The Beyond, Deodato's Cannibal Holocaust and Lenzi's Cannibal Ferox to the North American DVD market. At 36, he's too soon gone on to join most of the above-mentioned filmmakers and talented actors, RIP. --V